
"Silence of the Lambs" was one of the best, most intelligently constructed thriller/horror films of the last 2o years. "Hannibal," which followed a decade later, was an equally grisly and suspenseful, but not nearly as smart. Even the third Hannibal Lecter movie, "Red Dragon," had its moments for fans of serial killer flix. However, viewers who check out "Hannibal Rising" (Genius) expecting another Anthony Hopkins as scholarly slasher will be disappointed.
But those looking for a terse, intriguing story with some choice moments of savagery should enjoy the prequel to the Lecter saga. "Hannibal Rising" is a film about the trauma and pain that scarred Lecter, destroying his emotions and amplifying his rage until he became a cold-blooded cannibal.
Lecter starts out at age eight after his parents are killed in World War II. He and his sister survive the violence, but when a group of Nazi soldiers discover the house they're in, the Krauts move in, and, facing starvation, decide to eat Lecter's beloved sibling. Hannibal flees becoming the second course and bounces from an orphanage to the home of his late uncle's widow. As he ages, he becomes a top student in medical school, where he learns all about the human body and how to destroy it. At around aged 20, he vows revenge against those who made a meal out of sis, and embarks of a killing spree, during which he develops a taste for Nazi flesh.
While many of the goriest killings are implied rather than shown, director Peter Webber does a great job of building tension throughout the film, which features a bunch of no-name actors, all of whom deliver.
The unrated version of the film isn't any more horrific than the original, though it's about 10 minutes longer. The DVD features deleted scenes with optional commentary, a documentary short "Hannibal Lecter: The Origin of Evil," a short called "Designer Horror and Elegance" with Production Designer Allan Starski and commentary by Webber and Producer Martha De Laurentiis.
Above the Law (Genius) The plot involves a corrupt judicial system that frees the crime bosses who killed an innocent family, and the maverick prosecutor who pursues the mob with his own form of vigilante justice. Sure the story's full of holes and the acting isn't exactly award-winning, but that's besides the point. This is an action-filled martial arts extravaganza that will elevate the pulse of the comatose. Originally releasd in 1986, "Above the Law" stars Hong Kong film master Yuen Biao in one of his most insane roles and the destruction and on-screen combat still holds up today, rivalling most anything featuring Jackie Chan or Sammo Hung.
Apocalypto (Buena Vista/Touchstone) In the time of the Mayans, a young man is brutally torn from his home by invaders that round up members of neighboring tribes and sacrifice them to the gods. Driven by a powerful love for his girlfriend and family, he escapes his captors and struggles to return to his home and the life he cherishes. While this Mel Gibson movie is extremely brutal - -full of murder, rape and torture -- much of the violence is more poetic than shocking and the cinematography is breathtaking. Considering Gibson's stance on religion and recent skirmishes with the liberal left, it's sort of ironic that he would helm a movie that celebrates the dignity of a non-Christian tribe, but he did it, and with marvelous results. Check your politics at the door.
The Call of Cthulhu (Microcinema) For those who didn't know "The Call of Cthulhu" is more than just a killer Metallica instrumental, it's a great short story from early 1900s horror writer H.P. Lovecraft. And now it's also a stunning modern silent film that could have been shot in the golden age of cinema. Director Andrew Leman and cinematographer David Robertson have recaptured the look and feel of early Hollywood with stunning sets, stop-motion animation and digital reconstruction, then used these elements to create a scary monster movie with a haunting symphonic score. Even a Metallica soundtrack couldn't have topped this.
Defenceless (Subversive) Another silent film, but this one doesn't strive to look like something from a bygone era. Instead, director Mark Savage uses arresting imagery, unsettling sonics and an artsy presentation to deliver a gripping and brutal story about sadism and revenge. The violence starts off when a women refuses to sell her property to land developers, so they kill her husband and lesbian lover, then rape and murder her as well. Unfortunately for the bad guys retribution is more powerful than death, and the woman rises from the grave to extract an eye for an eye. While the plot may sound somewhat like "I Spit on Your Grave," this is like nothing you've ever seen before.