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The Vikings invaded, plundered, pillaged, drank to excess and played some crazy metal with violins, flutes, folk instruments and epic themes you can only experience yourself in a game of "World of Warkraft." And then they boarded their vessels and went home.

Yes, sadly the Paganfest USA 2008 tour is over, and according to a press release by the wood nymphs who created it, "The Vikings, forest inhabitants and folk-mystics have successfully raised their axes, swords and drinking-horns and now they return after a glorious march, which reaped sensational enthusiasm from your - the pagan-fans - side, back to their places of silence to reload their energy and power." In other words, they'll see you again next year with a new lineup.

The bill featured Ensiferum, Turisas, Tyr and Eluveitie and lasted for 21 shows. MetalInjection.net were there at BB Kings Blues Club in New York on the final date of the tour, and captured Turisas performing a killer version of "Rasputin" before a wizard appeared and snapped his fingers, and the band vanished in a plume of smoke to join Manowar in Valhalla. Click "more" to watch the clip. Read more...

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Judas Priest frontman Rob Halford is offering fans a free MP3 download of his new song "Drop Out." The song is one of two new cuts from Halford's Metal God Essentials Vol 1, which comes out September 25.

The other new track, "Forgotten Generation," can be heard streaming on Halford's MySpace page.

And here's the video:
Halford "Forgotten Generation" from "Metal God Essentials Vol. 1

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If you've been wondering what ex-Megadeth guitarist Marty Friedman has been up to, look no further. He's taken his talents from the stage to Japanese television and has worked on as many as five TV shows at a time in that country. The wackiest, "Rock Fujiyama," is part gameshow, part video program and part acid trip.

Throughout the program, Friedman plays lead guitar on a variety of popular songs. The episode below features Blondie's "Call Me" and Judas Priest's "Raw Deal." Friedman also mutates classic Japanese tunes into metal monstrosities.

The wildest part of the program comes when a special guest steps in -- in this case Slayer guitarist Kerry King -- and he and Friedman listen to the house guitarist play a riff and see who can name it first. Then the two celebrity axeman turn on their own guitars and jam it out. Between segments are snippets of Slayer videos. And the show's hosts have to be seen to be believed. And you thought "The Andy Dick Show" was messed up.

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They say a watched kettle never boils. Well, this here kettle boils, cooks and spews its contents all over the room. We knew you've been thirsting for this one (that's the last tea metaphor, we promise), so here it is: The new As I Lay Dying video for "Nothing Left."

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The correct answer is: a) Vesperian Sorrow.

You could certainly be excused for thinking Vesperian Sorrow are from Scandinavia. Not only do they play symphonic black metal -- the music of choice for the Nordic region -- they also write as if English wasn't their native language. The following is pulled directly from the band's official Web site:

Considered the premiere symphonic dark metal band in North America, Vesperian Sorrow's music evokes the darkest depths of searing human tragedy, juxtaposed with soaring heights of orchestrated symphonic melody. Their undeniable songwriting and passion sets them apart in their genre. In addition to three full-length albums two of which were released by Holland's Displeased Records, Vesperian Sorrow has also been featured on five compilation albums.

Originally started as Unholy Descent in 1994, Vesperian Sorrow was a project from then Death of Millions guitar player Donni, and freelance drummer/Keyboardist Kristoph to express their interest in melodic death metal. Inspired by the likes of bands such as Edge of Sanity, Unanimated, Hypocrisy, and Necrophobic, Donni and Kris started working on Unholy Descent full time after Donni left Death of Millions. Donni and Kristoph played locals shows in Austin, TX and eventually went through various band members until they found William in late 96. Tony and Jerry soon followed to complete the line-up.

In the summer of 97 they changed their band name to Vesperian Sorrow to fit their more melodic style, and recorded their first demo with Stuart Lawrence (ex-Agony Column guitarist). The same year they inked a deal with Dutch metal label Displeased Records for two albums. In 1998, they released their first album “Beyond the Cursed Eclipse”. Despite the production quality of the album, the album gathered many great reviews and put Vesperian Sorrow on the metal map.

In January 2001, they released their sophomore effort “Psychotic Sculpture”, recorded at Music Lab studios with Mark Dufour (ex-Skrew drummer). The album’s production was far superior to their previous effort and gathered much praise and high reviews. “Psychotic Sculpture” also brought the addition of Mike V on keyboards that had joined VS in early 2000.

The next 4 years would be an uphill battle for VS. Mike V, Jerry,and Tony left the band on good terms to pursue their own personal and musical directions. This left Vesperian Sorrow with finding new members and writing a new album which is the reason for the hiatus.

In 2004 Vesperian Sorrow drummer Kristoph and guitarist William opened Amplitude Studios. The same year they started working on their third effort titled "Regenesis Creation”.

2005 brought the addition of Tony back into the band and James Hardin on Guitars. In 2006 with the release of “Regenesis Creation” Vesperian Sorrow has completed shows in UK and a USA/Canadian tour in support of their new release. Vesperian Sorrow decided to release the album on their own label Underscape Records, as they pursue a larger more reputable label to work with. 2006 also brought Sean Hudson in the band to share Keyboard duties with Kristoph.

Vesperian Sorrow is clearly at the forefront of the American symphonic melodic metal scene with their textural symphonic soundscapes and remains one of the few U.S. bands respected by the international metal scene in this genre. Vesperian Sorrow is living proof of the spirit of Symphonic Metal, complimenting and challenging each genre their music touches with power and unfailing intensity.

With tours and shows in Germany, UK, Mexico, Canada, California, New Jersey, Florida, Michigan, Illinois, Arkansas, Tennessee, New York and Texas under their belts, Vesperian Sorrow is ready for the long haul.

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The correct answer to yesterday's indecipherable logo is:

B) Manowar.

Just kiddin'! It's none other than D) Dance Club Massacre.

The Chicago quintet formed in 2004 to play an experimental (with the emphasis on mental) hybrid of grindcore, metal, punk, thrash and indie rock. Influences include Napalm Death, The Locust, An Albatross, Between the Buried and Me, Daughters, Converge, HORSE the Band, Fantomas and Pig Destroyer. But when it comes to lyrics, Dance Club Massacre don't go for any of that political and personal exploration crap, opting instead for songs about horror movies, partying, beer and getting laid.

The group started as a just-for-kicks project between singer Nick Seger and keyboardist Nick Latos and the duo quickly banged out a demo of three songs they dubbed "Halloween-core."

The demo received unexpectedy strong feedback, so the guys decided to turn the project into band, hiring guitarist Mitch Hein, bassist Chris Mrozek and drummer Jon Caruso. In 2005, the full band recorded a new seven-song demo at Blam Recording in Chicago with engineer Eric Butkus. The Massacre then booked shows in and around Chicago, but by the end of 2006 Latos left the band and was replaced by Matt Hynek.

In April 2006 Dance Club Massacre returned to the studio with Butkus to record their full-length debut Feast of Blood and Monster. After self-releasing the album, which quickly sold out all 1,100 printed copies, largely via Interpunk.com, the band was signed by Blackmarket Activities, which reissued Feast of Blood and Monsters on July 10. The band is currently on tour and will remain on the road through August 25 in Birch Run, Michigan.

Washington D.C. hardcore metal band Darkest Hour aren't known for stoner rock dalliances or bluesy rock stomp, yet when invited to pick a "Bang of the Week," Darkest Hour guitarist Mike Schleibaum unreservedly picked groove warriors Clutch.

"Clutch rules!" Schleibaum explained. "They have been one of my favorite bands for a long time. And no one does funk, rock, metal, stoner, whatever-you-want-to-call-it better then Clutch.

"No band sounds like Clutch," he continued. "They are their own beasts. And I, my friend, would not get in their way. I mean, this song is the soundtrack to a bar fight in your head. VAMANOS, VAMANOS, VAMANOS!"

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Nice mirror image thing and all, but c-mon guys! Most Norwegians can piss stuff in the snow that's more legible than that. It would probably be easier to read Chinese subtitles on a static-filled TV screen. With the two little mouth or lightning bolt things at the top, it reminds us of what the dragons used to look like on our 1978 Atari 2600 videogame "Adventure."

Well, for what it's worth, here are your choices:

a) Beelzebub b) Gargamel c) Enthral d) Amnesiac e) Testament

The Chariot's Josh Scogin

The Chariot have shot a video for their song "They Faced Each Other" from their new record, The Fiancee, which came out April 3. "The song defines our new record because of its energy," frontman Josh Scogin told Headbangerblog.com.

Instead of using standard video footage, the Chariot decided to create the clip entirely with still pictures. "I have done many short films and other small projects before using this method so I figured it would translate well into a performance video for us," Scogin said. "Shooting the video took several hours in one night, however the lengthy process came when I had to edit down 10,000 photos into about 4,000. After three days of going through them and picking what needed to be used, it was done. Look for it soon."
Here's the band's last video, "The Company, The Comfort, The Grave":

headbangersblog.mtv.com proudly presents the Exclusive Premiere of Ozzy Osbourne's "I Don't Wanna Stop":

See the video all day here, catch it again on MTV2's Headbanger's Ball: Saturday May 19th at 11pm!