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The only thing we know about Tasmania is what we've learned about the Tasmanian Devil in Bugs Bunny cartoons. But if Hobart, Tasmania technical death metal band Psycroptic is any sort of reflection of the region, we know where we're spending out winter vacation.

Psycroptic are unerringly precise, alarmingly infectious and super frickin' heavy. And they make pretty awesome videos, too. We especially like the way the images quiver with the piledriver vibrations of the double bass drums. Click more to "Initiate" yourself. Read more...


We The People (ie: viewers) have chosen Meshuggah's "Bleed" video for the encore slot on Saturday's "Headbangers Ball." It was close contest, but in the end the band that recently toured the U.S. with Ministry outdistanced the good, the bad and the ugly (in no particular order: Shadows Fall, Impending Doom and Slipknot) to win the coveted spot. "Bleed" comes from Meshuggah's latest record obZen. Click "more" for a stream of the full album. Read more...

The Black Dahlia Murder, Kataklysm and Necrophagist are a few of the obvious highlights from this year's Summer Slaughter tour, but there are a bunch of other bands that are tearing faces and taking names as well, and one of the most lethal is Hobart, Tasmania's Psycroptic.

The band plays extreme technical death metal that's both intensely mathematical and absolutely captivating. With drums that pummel at, like, 8,000 BPM and guitars that shave flesh faster than a vegetable skinner, yet still leave something tangible in their slippery wake, Psycroptic could challenge Arsis and Meshuggah for the Nobel Noise Prize of Science. And they're every bit as brutal live, nailing each impossible rhythm shift and speed flurry with hunger and precision. Don't believe us? Click "more" and check out Metal Injection's excellent footage of "Isle of Disenchantment." Read more...


Maybe Kataklysm were too far ahead of the curve. Or maybe they're just too determined to do things their own way.

When the Canadian death metal band formed in the fall of 1991, they were playing hyper-speed death metal long before most bands even discovered blast beats. At the time, the uninitiated were bewildered by Kataklysm's extreme sounds, but a select crowd grasped what they were doing and scurried to their side. These allies included Nuclear Blast Records, which signed the group in 2003.

Still, the dominant death metal bands at the time, such as Death and Obituary, were playing slower, less complex music and many underground fans continued to shun Kataklysm. Then, when blazing rhythms and roaring blast beats became part of the death metal vernacular, Kataklysm changed again. With their fourth album, Victims of This Fallen World, the band employed slower, more tuneful structures reminiscent of Swedish acts like In Flames and At the Gates. Many of Kataklysm's old fans cried "sellout" and the group was forced to start again from the ground floor, building followers album by album, gig by gig.

By the time Kataklysm released 2004's Serenity in Fire however, they had established a new, loyal fanbase. And with 2006's more finely honed In the Arms of Devastation, the Kataklysm army became larger than ever. Melodic death metal fans and metalcore kids alike embraced the band's combination of engaging melodies and brute force despite the relative absence of speed.

The scene seemed to be set for Kataklym to enter the top tier of the death metal hierarchy with a slower, more accessible album, however, with their new disc, Prevail, Kataklysm have flipped the script again, releasing their heaviest, most powerful disc since 1996's Temple of Knowledge. Songs like "Taking the World By Storm" and "Chains of Power" are fast and intricate, filled with rapid-fire riffery and fleet, incisive licks. At the same time, the songs are packed with enough hooks to remain memorable long after the whiplash has subsided. Despite their return to speed, Kataklysm's newer fans didn't ditch the group, and the unrelenting, crushing songs have attracted a wave of young death metal listeners. At the moment, Kataklysm are one of the highlights of this year's Summer Slaughter tour, which runs through July 28 in Chicago.

We recently talked with frontman Maurizio Iacono about the band's subversive aesthetic, unyielding determination and the life lessons it has learned through adversity. In the process, the singer addressed Kataklysm's dramatic history, the lyrical themes of Prevail, and the optimism he tries to maintain in perilous times. click "more" to stream or download to Kataklysm podcast. Read more...


The only band to return to The Summer Slaughter Tour from last year's lineup, The Faceless are a technical death metal band from Los Angeles that balances virtuosity with demolition to create songs that are so fast you'll crap yourself -- but at least you'll be humming while you're releasing your bowels.

In addition to being precise, melodic and blistering, the band's music is also kind of trippy -- possibly because they've got access to some kickin' medical marijuana. Click "more" to watch MetalInjection.net unlock the story behind the band's recent lineup shifts and find out how easy it is to get medicinal weed in California. Read more...